Palettes: LUT, primaries, wheels, curves, RGB gain, film and isolate a color, chained in nodes.
A grading roomfor free.
Color Studio is a free grading room inside Premiere Pro: nodes, color wheels, curves, scopes, Log conversion and 33 film looks in one click. You grade by hand, the result goes straight to your timeline.
Every move shows in the Program Monitor as you make it. No credits, no limit. Native to Premiere.

How it works
Three steps. Your grade, your way.
Load
Choose your clips.
Whole timeline, In/Out or the selected clips. The grading room loads one thumbnail per source, with its Log already converted.

Film look
Start from a film.
Click one of 33 posters: a look node lands on your clips, calibrated on each image. Swap films until it clicks.

Grade
Grade node by node.
Wheels, curves, primaries, isolate a color, scopes. Every change goes straight to the Program Monitor.

Film looks
33 signature looks.
One click puts a film's look on your clips, calibrated on your image. Then push it, soften it or rebuild it node by node.

Blade Runner 2049 (2017) 
Mad Max: Fury Road (2015) 
Oppenheimer (2023) 
The Odyssey (2026) 
The Matrix (1999) 
Amélie (2001) 
Dune (2021) 
Dune: Part Two (2024) 
Joker (2019) 
The Grand Budapest Hotel (2014) 
Moonlight (2016) 
Euphoria (2019) 
Se7en (1995) 
Saving Private Ryan (1998) 
O Brother, Where Art Thou? (2000) 
Drive (2011) 
In the Mood for Love (2000) 
Her (2013) 
La La Land (2016) 
The Revenant (2015) 
Traffic (2000) 
The Batman (2022) 
Barbie (2023) 
The Godfather (1972) 
Fight Club (1999) 
Sicario (2015) 
Children of Men (2006) 
Skyfall (2012) 
The Social Network (2010) 
Arrival (2016) 
John Wick (2014) 
Twilight (2008) 
Midsommar (2019)
What ships
A pro grading suite, inside your editor.
Free and unlimited. No AI here: the grade is yours.
Camera Log is read from the file and converted in the first node. Keep it, change it or turn it off.
Waveform, parade, vectorscope and histogram follow every move of a wheel or a curve.
Film looks in one click, calibrated on your image, skin tones protected.
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FAQ
What you're probably wondering.
Yes, with no limit and no credits. It is the grading room of Auto Color without the AI: you grade by hand. For an AI grade of the whole timeline, use Auto Color.
A clip strip, a node editor like a pro grading suite, and palettes: LUT, primaries, color wheels, curves, RGB gain, film and isolate a color. Waveform, parade, vectorscope and histogram follow every change.
Click one of the 33 film posters: a look node is added to the selected clips, calibrated on each image, with skin tones protected. Click another film to swap it, click it again to remove it.
Yes. The camera and its Log profile are read from each file and converted to Rec.709 in the first node. Change the profile, turn the node off or delete it, and add it back whenever you want.
Yes, live. Every move of a wheel or a curve goes straight to the Program Monitor, through Lumetri on an adjustment layer above your clips.
Yes. Right-click a clip to copy its grade and paste it on another one, or select several clips and paste on all of them at once.
Works natively in Premiere Pro, on macOS (Intel and Apple Silicon) and Windows.